Step 4: Vinyl Sound Compression + 2 Sides of EQ! We are similarly attenuating the 8kHz frequency by about the same amount. Moving over to the high end, we have the frequency set at 8kHz and are boosting that a bit more to exaggerate the highs. Again, any EQ will do the trick here so don’t feel overwhelmed if you don’t have one! All we’re doing here is giving a slight boost around 100Hz while also using attenuating the same 100Hz a little. You can learn more about passive EQs here although this is modeled off the classic Pultec EQP-1. Moving over to EQ within the channel strip, I’m using a passive EQ here just as it is my favorite type of EQ when I want to do some boost in the low end. I normally do this by adding a Level Meter plugin on the master track and reviewing the audio db level with plugin on/off. After we get that within reduction range we’re boosting the gain to match the prior audio levels for the piano. For compression we’re looking to have light reduction around 3-5db (again find a sound that suits you!). Gate, Compressor, and EQ in the same plugin), but this would 100% work using individual, standalone compressor & EQ plugins. You’ll notice here this is a channel strip (e.g.
Next we’re using Studio One’s default compressor & EQ channel strip FatChannel.
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